blue bar

Practicing What We Preach

blue bar

by Elizabeth Pomada and Michael Larsen

Michael Larsen and Elizabeth Pomada have just repainted their Edwardian and it is now a sprightly, stop-them-as-they-go-by PAINTED LADY. So we have gone through all of the trials and triumphs that we've been told about over the years.

Our home at 1029 Jones Street in San Francisco appeared in the introduction of Painted Ladies Revisited. Although it was a handsome design, created by Bob Buckter, we had no part of the color choices and were never very pleased with it. I saw it as blue. Michael saw it as brown.

We recently purchased our flat with the people on the second and third floor as Tenants-in-Common, hoping to switch to owner-occupied condominiums. The house had not been painted in l8 years and the paint was peeling and unhappy, particularly on the third floor. So the six of us (one couple per flat) got together, renewed the mortgage to pay for the job, and met to select colors. The top two couples are more conservative than Michael and I are, so we finally agreed on simply "juicing up" the present colors. From blue-grey, we'd make it a better blue, and from tan/peach, we'd make it a more true apricot. And we then worked with Bob Buckter to choose the "right" colors.

He created a scheme for us and we hired Local Color to do the painting.

By accident, the man on the top floor drove by a wonderful yellow house on Dolores Park. He noted that Bob Buckter had done the design--and then discovered that it was Bob Buckter's house. So he took photos and showed it to us. It turns out that he had never liked the idea of painting the bricks at the base of the house blue. In this design, they're brick red. So he loved it. And when we saw a happy house in two yellows, with dark blue, dark red, teal, cream, and gold leaf, we loved it too. It was instantly unanimous. Bob re-jiggered the numbers on his pattern. And Local Color went to work.

In three weeks, the scaffold and netting went up, the house was painted from top to bottom, and we had a new, happy, glowing Painted Lady.

The minute the scaffold came down two German tourists stopped and took pictures, exclaiming joyfully about the pretty house. My assistant drove down to the next block before she realized she had passed our house--she didn't recognize it. Cars stop and take pictures. People shout out praises as they walk up our steep hill. We have a real Painted Lady. And we're very proud of it.

blue bar

Here are before, during, and after photographs to inspire you.

House Before Painting

1. 1029 Jones Street "Before."

Scaffolding

2. After the scaffolding went up--the most expensive part of painting a house in hilly San Francisco--the whole front was covered in a green veil.

Color Testing

3. Then we tested the colors on the house itself.

Difficulty in going in and out

4. Going up and down the hill and stairs, all covered with drop cloths and in and out of the scaffolding was quite an adventure.

Pictures 5, 6, 7, 8, 9, 10, 11
Show every step it took to paint the entryway, from prepping to lining up the outlines and trim, to final polish.
Note that the gold leaf on the columns went on before the columns were painted.

Image 5 Image 6 Image 7 Image 8 Image 9 Image 10 Image 11

12. This close-up shows the underneath of the first floor bay window.

13. Then the scaffolding was taken down so we could see how beautiful it was.

14. Here’s a close-up of our front window.

15. Later, looking at everything, I discovered that the paint job actually matched the tile-work in front of the house--tile work that had been put down years ago.

16. This view of the top floor of the house shows the colors.

17, 18, and 19.
The colors show up differently at different times of day, in different lights.